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God​’​s Time

from Intimate Strangers by Sara Serpa

  • The Biopholio™ is a two-sided, 20-panel origami-inspired medium, bursting with vibrant artwork and liner notes; each one made entirely out of FSC-certified, robust paper, hand-folded and printed using plant-based inks. There is NO Compact Disk (CD) or plastic in this product. Found inside each Biopholio™ is a unique code for the listener to digitally download the music in hers/his preferred format (high CD-quality, uncompressed WAV files, et cetera...)

    Intimate Strangers is made possible with the support from The NYC Women’s Fund for Media, Music and Theatre by the City of New York Mayor’s Office of Media and Entertainment in association with the New York Foundation for the Arts.

    Includes unlimited streaming of Intimate Strangers via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
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about

How does it feel not to have a passport?

lyrics

"In Kidira, as I approached the border station a hundred paces away, I stopped to catch the words of a man standing by himself, reclining on an electric pole. The street was busy: idlers mingling with passengers; hooting cars synchronous with bleating goats. The man’s head was inclined downwards and his voice was subdued as a whisper, but I’d been walking so close I heard him.

SARA SINGS: He said: Today and tomorrow, God’s time is the best. His backpack, similar to mine, looked emptier and ragged. I stood beside him. For a minute or more, he didn’t look up. When he did he smiled, and when I smiled in return I got the sense that there was potential for conversation, a story.
Then we sat under a mimosa tree. The words I’d heard him repeat were the same used often in the book. I wasted no time. It seemed timely that a man standing on the roadside agreed to read a book I carried around. The uncanny comes unrehearsed. I was making this trip because I chose to write a book about the Senegal River and its tributaries, and the lives of the people who lived along its banks. I wasn’t courting a better life in Europe. His ragged backpack told the opposite— his travels were an imperative harsher than a choice. I had read only the epigraph before he stopped me. Even a life full of holes, a life of nothing but waiting, is better than no life at all. In the length of time his eyes remained closed, I thought he had fallen into a trance. But soon his face was folded in a frown.

He spoke with his eyes shut: I have been travelling for a long time, going and coming many times. I have even gotten as far as Tangier, then sent back. Then got there again, then sent back again. See this paper I have, I got it there.

It was two-sided, crumpled and timeworn, advertising an exhibition of photographs. Two children in the picture were playing in front of an advert box in a port’s transit area in Tangier. The ship in the picture was luminous with fluorescent light, harboured on a blue sea, or approaching anchorage, calm as a stone."

credits

from Intimate Strangers, released December 3, 2021
Sara Serpa – voice, composition
Emmanuel Iduma – text, spoken word
Matt Mitchell -piano
Qasim Naqvi – modular synth

license

all rights reserved

tags

about

Sara Serpa New York, New York

Singer | Composer
Lisboa | Harlem

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